When everyone's still obsessing over DeFi yields, a $3.5 trillion sleeping giant is about to wake up.
The first RWA narrative? Finance-heavy stuff. Projects like $SEI and $PLUME showed us tokenized bonds and real estate can work. But here's the plot twist nobody saw coming: the real explosion won't be in your boring mortgage pools.
It's culture. Music festivals, to be exact.
Camp Network just quietly onboarded 53 major festivals—It's The Ship, S2O, 808 Festival, even Deadmau5's events. They're not just "putting tickets onchain" (yawn). They're transforming festival IP into:
🎭 Tradable cultural primitives 💰 Dynamic pricing based on real-time hype 📊 Revenue streams you can actually own 🤝 Direct value split between artists and fans
No middleman platforms sucking 30% anymore. Every ticket sale, every licensing deal, every royalty check becomes a composable onchain asset—but fast enough to handle millions of interactions without gas fee nightmares.
Mark this: when normies start buying "festival equity" like they buy concert tickets, the entire market's gonna scramble to catch up.
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CascadingDipBuyer
· 12-09 20:37
Bro, will the festival thing really take off? It still feels a bit sketchy to me.
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WhaleMistaker
· 12-09 20:37
ngl this is what truly breaking the circle looks like; bringing the cultural industry on-chain is way more imaginative than any lending protocol.
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MoonBoi42
· 12-09 20:37
Damn, I really didn't expect the festival equity approach—it's way more interesting than those boring tokenized bonds.
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TommyTeacher
· 12-09 20:30
Eh, but can festival tokenization really deliver? I feel like it still depends on whether there will be real volume going forward.
When everyone's still obsessing over DeFi yields, a $3.5 trillion sleeping giant is about to wake up.
The first RWA narrative? Finance-heavy stuff. Projects like $SEI and $PLUME showed us tokenized bonds and real estate can work. But here's the plot twist nobody saw coming: the real explosion won't be in your boring mortgage pools.
It's culture. Music festivals, to be exact.
Camp Network just quietly onboarded 53 major festivals—It's The Ship, S2O, 808 Festival, even Deadmau5's events. They're not just "putting tickets onchain" (yawn). They're transforming festival IP into:
🎭 Tradable cultural primitives
💰 Dynamic pricing based on real-time hype
📊 Revenue streams you can actually own
🤝 Direct value split between artists and fans
No middleman platforms sucking 30% anymore. Every ticket sale, every licensing deal, every royalty check becomes a composable onchain asset—but fast enough to handle millions of interactions without gas fee nightmares.
Mark this: when normies start buying "festival equity" like they buy concert tickets, the entire market's gonna scramble to catch up.